[Reads the following]:

From Federico García Lorca: Suites
(published by Green Integer, 2001)

Night: A Suite for Piano & Poet's Voice

Sketches

    That road
    got no people.
    That road.

    That weevil
    got no home.
    That weevil.

    And this sheepbell
    gone to sleep.
    This sheepbell.

 

Prelude

    The bullock
    slowly
    shuts his eyes.

    Heat in the stable.
    Prelude to
    the night.

In a Corner of the Sky

    The old
    star
    shuts her bleary eyes.

    The new
    star
    wants to paint the night
    blue.

    (In the firtrees on the mountain:
    fireflies.)

 

The Whole Works

    The wind’s hand
    caresses the forehead of space
    again &
    again.
    The stars half-close
    their blue eyelids
    again &
    again.A Star

    There is a tranquil star,
    a star that has no eyelids.
    —Where?
    —A star ...
    In sleepy water.
    In the pond.

 

Swath

    O St. James Road.
    O Milky Way.
    (O night of love for me
    when yellow bird was painted
    painted
    painted
    up in the lemon tree.)

 

One

    That romantic star
    (one for magnolia,
    one for the roses).

    That romantic star
    just went crazy.

    Tralalee,
    tralala.

    (Sing, little frog, in your shadowy
    hut.)

 

Ursa Major

    Bear mother
    gives suck to the stars
    astride her belly:

    Grunt
    grunt.

    Run off, star babies:
    tender little stars.

 

Memory

    Our Lady Moon still hidden,
    playing ring around a wheel.
    She makes herself look silly.
    Loony moon.

 

At the Poorhouse

    And the poor stars
    that have no light

    —o sorrow,
    sorrow,
    o lamentation!—

    end up stuck
    in muddy blue.

    O sorrow,
    sorrow,
    o lamentation!

 

Comet

    There on Sirius
    are babes.

 

Venus

    Open sesame
    by day.
    Shut sesame
    at night.

 

Below

    Space & stars
    reflected into sound.
    Liana ghosts.
    Harp labyrinths.

 

The Great Sadness

    You can’t look at yourself
    in the ocean.
    Your looks fall apart
    like tendrils of light.
    Night on earth.

 

A Newton Suite

Newton’s Nose

    Onto the nose of Newton
    a large apple falls.
    A meteor of truths.
    Last fruit to dangle from
    the tree of Science.

    And big Newton scratches
    his Saxon nostrils.
    A white moon over
    these barbaric strings of lace:
    the beech trees.

 

In the Woods

    The gnomes
    astride their secrets
    tear
    their beards out.
    They tie up Death
    & make the Echoes
    mislead men
    with mirrors.
    In a corner
    lies the secret:
    in the open,
    dead.
    His companions
    mourn him.
    A blue boy
    with iron feet—
    a glowing star
    between his eyebrows.
    His companions
    mourn him.
    And the green lake trembles.
    In the wind.

 

Harmony

    Waves
    rhyme with sighs
    & stars with
    crickets.
    Atremble in the cornea
    the whole cold sky.
    A dot, a synthesis,
    infinity’s.

    But who joins waves
    with sighs?
    And stars
    with crickets?
    Just hope these geniuses
    be missing something.
    The proofs keep drifting by
    among us.

 

The Philosopher’s Last Walk

    Newton
    was taking a walk.
    Death had followed him,
    strumming his guitar.
    Newton
    was taking a walk.
    The worms gnawed through
    his apple.

    The wind hummed in the trees,
    the river beneath the branches.
    (Wordsworth would have cried.)
    The philosopher was striking
    unimaginable poses,
    was waiting for another apple.

    He ran along the road.
    He stretched out by the water.
    He saw how his face would sink
    in the moon’s reflection.
    Newton
    wept.

    And high up on a cedar
    two old owls yammered.
    Slowly in the night the wise man
    went back home.
    He dreamt enormous pyramids
    of apples.

 

Replica

    Adam ate an apple
    from the Virgin Eve.
    Newton was a second Adam—
    Science’s.
    The first knew
    Beauty.
    The second a Pegasus
    bowed down by chains.
    And neither one was guilty.
    Their two apples
    pink
    & fresh
    but with a bitter
    history.
    The severed breasts of
    innocence, poor child.

 

Question

    Why was it the apple
    & not
    the orange
    or the polyhedral
    pomegranate?
    Why this virgin fruit
    to clue them in,
    this smooth & gentle
    pippin?
    What admirable symbol
    lies dormant at its core?
    Adam, Paris, Newton
    carry it inside their souls
    & fondle it without a clue
    to what it is.

The Lorca Variations